Frightening Novelists Share the Most Frightening Stories They've Actually Encountered
A Renowned Horror Author
A Chilling Tale from Shirley Jackson
I discovered this narrative long ago and it has stayed with me ever since. The titular “summer people” turn out to be the Allisons from the city, who lease a particular off-grid lakeside house every summer. On this occasion, in place of returning to urban life, they opt to lengthen their vacation an extra month – a decision that to unsettle all the locals in the adjacent village. All pass on a similar vague warning that no one has ever stayed in the area beyond the end of summer. Regardless, the couple are determined to not leave, and that is the moment situations commence to get increasingly weird. The man who brings the kerosene won’t sell to the couple. No one will deliver groceries to their home, and when they try to go to the village, the car refuses to operate. A storm gathers, the energy of their radio diminish, and when night comes, “the aged individuals huddled together inside their cabin and anticipated”. What could be they expecting? What might the townspeople understand? Whenever I read the writer’s chilling and thought-provoking narrative, I recall that the best horror stems from the unspoken.
An Acclaimed Writer
An Eerie Story by Robert Aickman
In this brief tale two people journey to a common seaside town where bells ring continuously, a perpetual pealing that is irritating and inexplicable. The opening extremely terrifying moment takes place after dark, at the time they decide to walk around and they fail to see the water. There’s sand, there is the odor of putrid marine life and salt, waves crash, but the ocean seems phantom, or another thing and more dreadful. It’s just insanely sinister and each occasion I go to a beach at night I recall this narrative that ruined the ocean after dark to my mind – favorably.
The young couple – the wife is youthful, he’s not – return to the hotel and find out the cause of the ringing, in a long sequence of claustrophobia, necro-orgy and mortality and youth intersects with danse macabre bedlam. It’s an unnerving reflection on desire and decay, a pair of individuals maturing in tandem as spouses, the attachment and violence and gentleness in matrimony.
Not merely the scariest, but perhaps a top example of concise narratives in existence, and a personal favourite. I read it in the Spanish language, in the first edition of this author’s works to be published in this country in 2011.
A Prominent Novelist
Zombie from Joyce Carol Oates
I perused this book by a pool in the French countryside a few years ago. Although it was sunny I experienced cold creep over me. I also felt the excitement of excitement. I was composing my latest book, and I faced an obstacle. I was uncertain if it was possible an effective approach to write certain terrifying elements the book contains. Reading Zombie, I realized that it could be done.
Published in 1995, the novel is a grim journey into the thoughts of a young serial killer, the main character, modeled after Jeffrey Dahmer, the serial killer who killed and dismembered 17 young men and boys in Milwaukee between 1978 and 1991. Notoriously, this person was obsessed with creating a submissive individual that would remain by his side and attempted numerous grisly attempts to achieve this.
The deeds the novel describes are horrific, but equally frightening is the emotional authenticity. Quentin P’s awful, shattered existence is simply narrated with concise language, details omitted. The reader is plunged stuck in his mind, forced to see ideas and deeds that appal. The alien nature of his mind resembles a physical shock – or being stranded on a desolate planet. Entering Zombie feels different from reading and more like a physical journey. You are absorbed completely.
Daisy Johnson
White Is for Witching by Helen Oyeyemi
During my youth, I walked in my sleep and eventually began having night terrors. At one point, the fear included a dream during which I was stuck in a box and, upon awakening, I realized that I had ripped a piece off the window, seeking to leave. That building was crumbling; when it rained heavily the downstairs hall filled with water, fly larvae fell from the ceiling on to my parents’ bed, and at one time a sizeable vermin climbed the drapes in my sister’s room.
Once a companion handed me the story, I was residing elsewhere in my childhood residence, but the story regarding the building located on the coastline seemed recognizable to myself, nostalgic at that time. It is a novel concerning a ghostly noisy, emotional house and a female character who eats calcium from the cliffs. I loved the story so much and returned frequently to it, always finding {something