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For the most part, I've had my fill of zombie movies. Although favorites such as 28 Days Later along with the initial seasons of The Walking Dead were gripping, this category seems mostly exhausted at this point. Yet the highly anticipated 28 Years Later has been sitting on my to-watch queue for some time. However, Netflix's latest Indonesian zombie flick, The Elixir, succeeded in defy my expectations turning out quite entertaining.

Superb Pacing and Character Growth

One of this movie's greatest strengths lies in the excellent pacing. It begins with a striking initial scene where a peaceful family party is violently interrupted by a vehicle plows right into the guest area. From the wreckage, a very undead-looking stranger stumbles out proceeding attacking the partygoers. This dramatic scene is then succeeded by a flashback, giving viewers to see the family before the tragedy struck.

In contrast to many undead movies, The Elixir actually gives viewers sufficient opportunity to become acquainted with the primary characters prior to the chaos ensues. There's Nes, a wife and mother whose ex close friend, Karina, is now wed to her dad—a clearly awkward situation. This has predictably led to a rift between the two women. We also see Nes' brother, Bang, who is kind-hearted but socially awkward, and he enjoys gaming alongside Nes' young son, Raihan. Her spouse, Rudi, seems to have recently been unfaithful to Nes. This household head consists of Nes' father, the owner of a well-known herbal remedy company named Wani Waras, and who seems to care about only two things: his work and his marriage to Nes' ex-best friend. Needless to say, this gathering is extremely tense.

Invested in the Conflict

I became so engrossed in the household's issues and their personal conflicts that I almost forgot I was watching a scary movie—something that could sound like a drawback, but in the end worked well. The Elixir dedicates a considerable portion of its runtime depicting viewers the identity of every relative is, and how they contribute to the general dysfunction. This emphasis on clashing personalities enabled me to relate with the characters sufficiently to be concerned for their outcome—a rare accomplishment in a genre that often presents individuals only to eliminate them shortly afterwards. The Elixir avoids portraying its characters as flat, expendable casualties for an army of the undead to devour, so it's a genuine surprise once events eventually go wrong.

Evocative of Parasite

The opening scenes from the gathering and the multiple family interactions in fact bring to mind the film Parasite, a story which disguises itself like a Korean drama featuring slightly dark humor prior to making a sudden turn toward shocking ground. These introductory moments don't focus too heavily on comedy compared to Parasite, yet The Elixir still gives sufficient opportunity to settle into the setting prior to everything gets turned upside down.

Unique Zombification Source

This movie also offers a quite intriguing reason regarding the origin of the spreading zombification. Instead of a unintended lab leak or a type of bioweapon, the source for this infectious condition stems from a recent batch of Wani Waras herbal remedies developed by her dad. Although we do learn something regarding its origins, it would have been better if the film devoted additional focus on how Wani Waras went from a trusted purveyor of holistic medicine to creating a deadly potion which seems to contain a highly contagious virus. Regardless of the limited context, the impact this condition produces on people proves absolutely repulsive, and I love it. The Elixir's zombies are quick, freaky-looking, and, perhaps worst of all, always smiling. This is a bold choice, but it works. The Elixir's practical effects and CGI are also very realistic, and are almost certain to trigger a fear of holes.

Resourceful Characters

Even better than the disgusting moments is the cast themselves. Certainly, we see some examples of dubious decision-making (like any typical zombie movie), but generally, Nes and her relatives are resourceful and sharp. They also aren't afraid to strike a zombie in the face, pierce it with a pitchfork, or beat it over the head with whatever heavy object is available rather than standing still like a deer in headlights while danger nears.

Believable Family Discord

The Elixir doesn't drop its themes on family conflict once individuals begin transforming to the undead, which was a welcome realistic subversion from that "We don't get along|"We have issues, but you almost died so I instantly forgive you for all your mistakes!" trope often seen in apocalyptic films. Obviously, Nes cares for her family and cares about her spouse, Rudi, yet it's equally clear she remains holding onto resentment regarding his infidelity in their relationship. When the family gets separated, they decide over the phone to meet up at a nearby location. However, once Bang admits he doesn't know how to get there, Nes unleashes a massive amount of frustration toward Bang that's clearly been building over time. Nes is not perfect, and her relatives—flawed as it is—feel authentic and relatable because the film doesn't try to push the idea that nearly dying instantly cures family tensions. This makes the moments when these characters do show gratitude toward one another feel much more sincere.

Predictable Conclusion

In spite of The Elixir's strong efforts to innovate, the conclusion must be said to be somewhat stereotypical. The Elixir doesn't truly offering up some profound message regarding relatives or society, as well. Instead, it's primarily serving up frights. Yet these are effective frights, and because the film allows every personality enough room to grow and doesn't punish them for their imperfections, the result is an engaging and entertaining